Showing posts with label Chine colle. Show all posts
Showing posts with label Chine colle. Show all posts

Sunday, July 21, 2013

orange crush

"Orange Crush" Glen Alps

I am tickled pink, (maybe I should say "tickled orange") to show you a new addition to my art making collection of equipment and assorted creative stuff.

I am now the proud owner of a Glen Alps Press! Glen Alps was a artist, printmaker, teacher, developer of  the "collagraph" process in printmaking, and creator of about 30 presses. You can read more about Glen Alps here and here.

My press was stored in a trailer for the last year and has a lot of rust on its unpainted steel parts. Prior to that, it was used (and I suspect, abused) at a community college for many years. No matter. It is a tough machine, built for abuse and heavy and frequent use. Once we get it all cleaned up, it will be my work buddy for the printmaking I want to do! (Here's what it will look like when it's restored to its working order condition.)

Monotype attracted me years ago and I have taken several workshops and classes to learn more about the form. I loved those experiences, but felt like I could do more and learn more with a press of my own. In the privacy of my own space, I can try big and fail big and stretch and grow in my own ways. That day will come soon!

When I look at my old monotypes, I understand why I have remained excited about it.


monotype with Chine colle

The former owner told me that this press was nicknamed "Orange Crush." I like that!!

takes a forklift to move it!


REM "Orange Crush."



Thursday, October 27, 2011

Tuesday, October 25, 2011

design

In preparation for my monotype class tomorrow, I have been playing with some design ideas. My thoughts about design include how to best place the figure in the space, how to break up the negative space, plus consider which parts of the image I might want to collage with some textured Japanese papers (Chine colle').

When I painted this image, I immediately thought of Modigliani's portraits. Maybe the way the head sits atop the neck. Maybe the elongation of the neck. Something about it is ringing the Modigliani chime. Take a look at this slide show of his work and see what you think.