ink: waterfalls

Monotype with pastel, 13 x 6.5

I was eight years old and for my birthday, I received a Kodak Instamatic camera as a gift from my parents. I was thrilled. It had a square "cube" flash for indoor shots. I took a lot of outdoor shots with it. Of my siblings. Of my friends. Of our dog.

Only a couple of months after my birthday, our family took a summer vacation to Yosemite National Park. I took my first serious landscape photographs during that vacation. What I remember most is Yosemite Falls. I was entranced. Especially when we played in the cold water at the base of the lower falls. It tasted sweet and was cool and clear.

As an adult, I am more familiar with Ansel Adams photos of the park and the falls than I am of my own images. But, in one of my early photo albums are my square photos of Yellowstone Falls. I was there. It made an impression.

As I explore more with monotype and ask myself about what inspires me in the landscape, I come back to water again. This time waterfalls.

Monotype with pastel. 12 x 12.

The two images above are monotype prints done with Gamblin Portland Cool Black ink and run through my Glen Alps Press. After the ink dried, I went back into the images with pastel. Why? I was curious to see the effect.

Black and white, without pastel color added, still holds the most drama. The print below is an abstraction of Multnomah Falls in the Columbia River Gorge in Oregon. Multnomah Falls have such popular appeal, many visitors go there in the summer months. Crowds of people. I prefer to go in the less popular months.

Monotype. 12 x 12.

Native American legends explain that the falls were created to woo a Princess and to allow her to bathe in privacy. The falls resemble her flowing hair. I thought of her hair as I worked on this print.

Ikea purchase metal cable with hanging clips.

At Ikea, I discovered an inexpensive and effective system for hanging my prints in the studio. A thin, wire cable is suspended between metal supports and small clips hang from the cable, like clothes pins on a clothes line. It gives me a way to look at the prints from a distance.

Detail of the cable and holder.

Detail of the hanging clip and cable.

I enjoy NPR's Tiny Desk Concerts. They are like little samples of musical treats. Here's one to get you started, if you enjoy acoustic guitar.

Rodrigo y Gabriela NPR Tiny Desk Concert. Enjoy!

give and take and the creative act

20 x 20, acrylic on cradled panel

More play with texture, this time with molding paste and Golden's Fiber Paste. I put down a thin layer of the molding and fiber pastes and then manipulated the surface with paper towels and plastic wrap. Once the textured surface was dry, I put down an acrylic underpainting with Quinacridone Crimson, Pyrrole Orange, Hansa Yellow Medium, and Titanium White. 

Each step of this process was an intuitive response to the previous step.

This kind of play reminds me of how I felt at some band rehearsals. With the right combination of musicians, an open and playful attitude, and trust and respect among the players, wonderful things can happen.

You can get a sense of that kind of energy, the give and take, the synergy of  the creative act, with this video. Yo-Yo Ma, Edgar Meyer, Chris Thile, and Stuart Duncan in NPR Tiny Desk Concert.