
Using the same basic shapes, I painted Spencer Spit again but with a different palette. Theme and variations. I love stuff like this!
Painting like this, painting many variations of a basic design is a lot like playing jazz with a band. You usually start out with something that's pretty straight and the melody or tune is obvious. Then, you hand it off to the saxophone player and he stretches and bends things around. The rest of the band keeps playing the structure, the chords underneath the solo, but the sax, well, he wails! If he's hot, he may take it an extra time around, another 16 bars or so. All of the other musicians nod their heads and can't keep the goofy grins off their faces because it's so amazing to be a part of that sound!
When the trumpet takes it, well, if he's good, he will pull your heart out of your chest, blow on it twice, and throw it back before you know what's happened.
With these paintings, so far it's still pretty straight and the melody sits on top of the rhythm like a good horseman. But I can hear the future and it's calling me to jam.
Painting like this, painting many variations of a basic design is a lot like playing jazz with a band. You usually start out with something that's pretty straight and the melody or tune is obvious. Then, you hand it off to the saxophone player and he stretches and bends things around. The rest of the band keeps playing the structure, the chords underneath the solo, but the sax, well, he wails! If he's hot, he may take it an extra time around, another 16 bars or so. All of the other musicians nod their heads and can't keep the goofy grins off their faces because it's so amazing to be a part of that sound!
When the trumpet takes it, well, if he's good, he will pull your heart out of your chest, blow on it twice, and throw it back before you know what's happened.
With these paintings, so far it's still pretty straight and the melody sits on top of the rhythm like a good horseman. But I can hear the future and it's calling me to jam.