My first monotype became a self portrait of my feelings about becoming a grandmother. The yellow fields become a pathway that connect the figures.
With an inked plate and a scraping tool, I drew this figure from a live model. It felt like juggling a bowling pin, a machete, and something on fire.
Artist teacher,
Joseph Mann, suggested that I consider the design of my next plate, so I drew the live model with graphite and charcoal onto paper and then came back to my work station to design my print. I created this piece with an eye toward making a sense of depth for the model to stand in a three dimensional space and to contrast straight planes of the color blocks with the model's curves.
Wheat paste and carefully torn mulberry paper created the dress in this print in a process called "
Chine Colle" which means "Chinese collage" in French.
We had a live figure model again on the night I printed these two pieces. The model posed some of the time in a knee-length dress and some of the time nude. I like how these pieces go together. I used buff colored Arches to soften the "white" figure.
I have no answer for the question: why did you paint your vocalist friend without a mouth? I'm sure that there's some weird psychology going on here!
From copy paper stencils I cut out prior to class, I arranged various figures to create what finally became this print. I inked the plate and then used the stencils to block the ink from coming into contact with the paper. I am intrigued with the way multiple figures in a composition entices the viewer to imagine how the figures relate to one another. Does this arrangement suggest a story to you?
More work with stencils. First, using the stencil to block the ink from the paper, creating a white figure. Second, inking the stencil black and using it positively (and reversed) in the bottom photo. I enjoy a lot about these last two prints. I like the color, use of light/white, and shapes. It was not until I picked them up from the drying rack that I realized how much they looked like certain designs on trucks' mud flaps. The whole class had a nice laugh over that.
I hope to take more monotype classes in the future. As with anything new, the first order of business if learning how to use the materials. After that, the fun can really start. Let the games begin!
